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lichty wrote: References 7 months, 2 weeks ago
Previous: Conclusion
Amerika, M. Grammatron. 1997. Viewed April 23, 2009, http://www.grammatron.com/index2.html
Arendt, Hannah. 1963, Eichmann in Jerusalem: A Report on the Banality of Evil, NYC repub. Penguin Classics
Bardini, T. 2000. Bootstrapping: Douglas Engelbart, Coevolution, and the Origins of Personal Computing. Stanford: Stanford University Press.
Barthes, R. 1978 Death of the Author, From Image, Music, Text. Translated by Stephen -
lichty wrote: Conclusion 7 months, 2 weeks ago
Previous: Flow | Next: References
The creation of non-linear and networked cultural production is a tradition that has roots that span back nearly a century, if one considers the literary sources from which spatial form is theorized. Humanity questioned the limits of mind, technology, and society during the 20th Century, and especially in the post-World War -
lichty wrote: Flow 7 months, 2 weeks ago
Previous: Vector | Next: Conclusion
Progressive Vector Diagram of wind patterns over the US maritime coast
Cultural production that tracks trends, indices and metadata in order to draw larger inferences about large sets of data or interactions (another form of narrative) is a set of practices which track social and information “flows”. Expanding from the mathematical/logical -
lichty wrote: Vector 7 months, 2 weeks ago
Previous: The Wiki | Next: Flows
The next step in my discussion of digital narratives and communication in a vast online environment is to consider my metaphor of the vector. This particular idea is far more about mode of communication than structure, and therefore much more relational than our discussion of narrative structure. In the Translator’s -
lichty wrote: The Wiki 7 months, 2 weeks ago
Previous: Forerunners of Hypermedia | Next: Vector
Now that we have investigated the roots of hypermedia and open historical document systems, I would like to turn to a contemporary technology, the Wiki. It is a communally editable webpage driven by a server-side database that further complicates the idea of closure in narrative production. The Wiki is
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